As you know sometimes, when I have no particular agenda, I talk about or present to you excerpts from books I am currently working my way through. The one I am in the middle of right now is called ‘Women Who Run with the Wolves’ by Clarissa Pinkola Estes. The purpose of the book, if self-proclaimed, it to help us in “contacting the power of the wild woman.” As you can probably tell from the title, the target audience of this book is, well, women. But that shouldn’t stop you from picking this book up, no matter where you fall on the gender spectrum. The author talks mostly to women, about women-centric issues, but honestly, I can see how reading this would benefit everyone. I usually make my way through books quite quickly but I have been spending some time on this, and I’ll tell you why.
The Author says we should
Yup. That is correct. How often does it happen that you pick up a book and the author has told you, in very exact terms, how the book should be read? Maybe it does happen a lot and I am just new to the space, but I have never felt such literary intimacy with the creator of a work. And I really liked it. Before you start reading this book, make sure you skip to the end. There, Estes talks about what led her to write this book, what inspired her, why she chose the format she did, and how we should read her book. She says the book is a product of many years of hard labour. It took many attempts to get to the end of the book, and there were a lot of gaps, of varying sizes, in the middle of it. And so, in the spirit in which it was written, the author recommends that we keep coming back to the book to discover different parts of it. It wasn’t completed in one go, and we shouldn’t attempt to make our way through it in one go either. There are different parts of the book that talk to different parts of our psyche, and are addressed to us in different parts of our lives, and so there really isn’t any need for continuity in the ways in which we are accustomed to it.
I used to be a purist when it came to books. In my younger days, I didn’t really like reading books that didn’t follow the already set rules of prose writing. But I have since tried to expand my horizons. I have made my way through books that don’t have any punctuation, books that have inconstant margins, books that have been written in a single sentence and what not. So much so that now I almost look out for these unusual formats when I buy books. Like a book I read sometime ago. It is called ‘Minor Detail‘. I want to try and explain to you what the format of Minor Detail was but I know I won’t do a good job so I’m just going to ask all of you to check it out if you have the time. But anyway, back to the wolves. In this book, every chapter starts off with an introduction which tells us about the particular culture we will be borrowing a folk tale from for the purposes of that chapter. Then the folk tale. This, I have to say, is my favorite part of the entire book. The stories that have been brought to me. And after every story, the author breaks it down in parts and walks us through these parts, all the time giving us invaluable and free therapy for our souls.
Let me give you an example
By therapy I mean of course the absolutely heart warming things she writes. The kind of things that you wouldn’t miss in your life at all till someone said it, and then you’d wonder how you made your way through life without having come across this thought before. I’m not saying this is all chapters, but some of them definitely make you look twice. Here is something I liked:
“Although I caution you, the exact placement of the aperture to home changes from time to time, so its location may be different this month than last. Rereading passages of books and single poems that have touched the,. Spending even a few minutes near a river, a stream, a creek. Lying on the ground in dappled light. Being with a loved one without kids around. Sitting on the porch shelling something, knitting something, peeling something. Walking or driving for an hour, any direction, then returning. Boarding any bus, destination unknown. Making drums while listening to music. Greeting sunrise. Driving out to where the city lights do not interfere with the night sky. Praying. A special friend. Sitting on a bridge with legs dangling over. Holding an infant. Sitting by a window in a café and writing. Sitting in a circle of trees. Drying hair in the sun. Putting hands in a rain barrel. Plotting plants, being sure to get hands very muddy. Beholding beauty, grace, the touching frailty of human beings.”
Now read through that again and tell me it doesn’t feel like the home we all want to get to but find difficult to describe.